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Note Noire

Ruben Chaviano - violin

Roberto Beneventi - accordion

Tommaso Papini - guitar

Mirco Capecchi - double bass

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NOTE NOIRE Quartet - Europäische GIPSY-Musik

Das Ensemble zeigt in seinen Auftritten durch den Klang und die Formen der Zigeunertradition die Entwicklung, welche diese Musik im Europa des 19. Jahrhunderts durchlief: die ungarischen Czárdás, den Musettewalzer, den Swing, den rumänischen Horá, sowie albanische Lieder und vieles mehr. Dieses vielschichtige musikalische Panorama, dass sich von Frankreich, den Balkanländern über das Elsass, Ex-Jugoslawien, Albanien, Serbien und Rumänien erstreckt, verbirgt in sich eine Musikalität die typisch für den französischen Gypsy Swing (manouche swing) ist. Die Auftritte sind dem Andenken des Zigeunermusikers Django Reinhardt und seinem Volk, den Zigeunern, den bis heute einzigen Zeugen der unvergleichbaren Vielfältigkeit und des Reichtums dieser musikalischen Sprache gewidmet, welche die Kultur Europas beeinflusste.

Die Violine erzählt, rührt zu Tränen, scherzt, entflieht... ist auf der Suche nach einem klangvollen Zauber, der zusammen mit einem kraftvollen Rhythmus von Gitarre, Akkordeon und Kontrabass, die Seelen in Schwingung versetzen und sie in einem Fest aus Klängen vereinen kann. Während der Konzerte lösen sich einzelne Instrumente in freien Improvisationen, wodurch die Musiker nicht nur ihr Können demonstrieren, sondern der Musik noch zusätzlichen Reiz verleihen.

RUBEN CHAVIANO:

Was born and grew up in Cuba, where he studied and received his diploma in violin and for four years played with the Symphonic Orchestra of Villa Clara. He also played with the “Arte Vivo” group and with very well-known Cuban singer-songwriters such as Noel Nicola, Anabel Lopez, Pablo Milanes. In Italy he founded the “Charanga Mamey” and “Puente Latino”, ensembles of Cuban music and Latin-American jazz. He collaborated for a long time with the Cuban pianist Alfredo Rodriguez, with whom he has made several European tournées.

He created the “Alta Madera” project, an acoustic trio inspired by his love for Jazz and Latin-American music. He has made several recordings, both as a performer and as a composer. He was awarded the “Luca Flores” prize at the jazz festival in Barga, Lucca.

He has played and plays with Steve Lacy, Antonello Salis, Trilok Gurtu, Tata Guines, Luiz “Changuito” Quintana, Oscar Valdez and Bobby Carcasse, Junder Girotto, Marco Siniscalco, Max Gazzè, Lorenzo “Jovanotti”, Horacio “el negro” Hernandez, Luciano Biondini, Mark Isham, Steve Turre, Barbara Casini, Armando Corsi, Andrea Parodi, Bobby Rangell, and many others.

ROBERTO BENEVENTI:

Born in Modena, he studied accordion with Maestro Walter Ranieri (former accordionist for Charles Aznavour and Juliette Greco) and harmony, composition and orchestral conducting with Maestro Ettore Ballotta (for many year an orchestral conductor and arranger for the RAI-Italian Radio and Television, and for artists such as Mina). From a very young age he became fascinated with the “musette”, jazz and Argentine tango genres. To become really familiar with the latter, he moved to Buenos Aires, where he met up with important musicians (Néstor Marconi, Juan José Mosalini). He has taken part in numerous competitions for accordionists, and had the opportunity to collaborate with Richard Galliano. He performs all over Italy and abroad, with various initiatives and jazz, funk, ethno and pop rock ensembles. Recent collaborations include those with the writer Massimo Caponnetto and the singer-song composer Chiara Riondino.

TOMMASO PAPINI:

A self-taught guitarist ever since he was a young boy, he began to be interested in gypsy music in 2002, thanks to the music of Django Reinhardt, who opened up to him a window on a much wider-reaching world. After youthful experiences in music and theatre, in 2005 he founded the Note Noire group together with Joris Viquesnel (guitarist for Norig and Sebastien Giniaux), and since 2008 has been a member of the quartet of Jacopo Martini, with whom he made a recording in 2009. He has collaborated with internationally-famous artists such as Angelo Debarre, Lollo Meier, Stefano Bollani, Franco Cerri, Andy Aitchison, Raffaello Pareti and Mirko Guerrini, on the occasion of concerts and recordings both in Italy and abroad.

MIRCO CAPECCHI:

He received his diploma in double bass from the Istituto L. Boccherini in Lucca under the guidance of Maestro Sergio Grazzini, and then took a post-graduate course with Maestro Riccardo Donati. At the same time, he made an intensive study and analysis of the language of jazz, under the maestri Paolino Dalla Porta, Furio Di Castri, Pietro Leveratto, Franco Nesti, and Lello Pareti, Nino Pellegrini, and Marco Micheli. He attended courses in jazz improvisation with Maestro Mauro Grossi and with the American saxophonists Paul H. Jeffrey, Tony Scott, David Liebman, and Paul McCandless. In 2010 he received his diploma for the two-year advanced course at the Istituto P. Mascagni in Livorno, under the guidance of Maestro Maura Grossi, with the highest possible final marks. He has collaborated with Nico Gori, Petra Magoni, Mario Raja, Michela Lombardi, Mirko Guerrini, Gabriele Mirabassi, Stefano “Cocco” Cantini, Luigi Tessarollo, and Rachel Gould.